Procedimentos idiomáticos em cinco arranjos para violão sobre peças do compositor Hermeto Pascoal

Abstract

This work consists of: Memorial, Article, Practical Reports and Final Product. The main aim of the article is to demonstrate four idiomatic procedures (Vertical / Horizontal Parallelism - Patterns; arpeggios / tremolo / repeated notes - loose strings - Sound Resources; percussion, campanella, strumming, timbre, harmonics and glissando) that were used in the elaboration of five arrangements for guitar on songs by the composer Hermeto Pascoal. The arrangements have an advanced level and can be used by students and music professionals. The memorial reveals relevant aspects in my musical/academic career, highlighting the learning process with the theoretical and practical subjects taught by the professors of the master degree in music. The reports on instrumental practice detailed the problems involved in performing the pieces, possible solutions adopted by the teacher and student, as well as strategies for developing the technique and musicality. As a final product an E-book entitled “O Violão de Hermeto” was created containing edited scores of the songs: Viva o Rio de Janeiro, Bebê, Chorinho pra ele, Frevo e O Farol que nos guia, made available on the main digital media.