Programas que operam com o infinito: ações artísticas situadas como forma de experiência, apreensão e pesquisa

Abstract

This dissertation focuses on two situated artistic investigations developed by me and Lucas Lago in the city of Salvador: Projeto Invasões and Oficina-Mutirão de Arquiteturas Impossíveis. Seeking ways to narrate artistic experiences carried out in specific contexts, this dissertation is composed of reports of research and creation paths, the development of conceptual/operational figures, and associations between images, records, documents and archives. From such movements, I look for the emergence of both aspects related to the forms of experience, apprehension and research with places, as well as the emergence of instances of visibility of the methodological and conceptual operations established in the course of such creation processes.