Ruínas simbólicas e formas diabólicas sob a criação cênica contemporânea: a insurgência intersubjetiva em processos de encenação performativa

Abstract

This work aims to investigate an aspect of contemporary theater. It proposes a reflection that fosters understanding about performative theater. It is imbued with theoretical and textual references from Josette Féral and Renato Cohen to investigate the combination of languages and consolidate its methodological path. Therefore, it has be possible to locate an argument about the theaters of the real, through a discursive exercise that brings into play extra and intra-aesthetic procedures, based on theoretical aspects of Pierre Bourdieu in the social sphere and Maurice Merleau Ponty in what concerns the perceptive. This effort culminates in an alternative understanding of staging processes and poetic operations, in order to improve the notion of its central object, the performative staging, which in the analysis of this work comes from an agency of acts of life in friction and consonance with acts of fiction in the midst of intersubjective scenic routes of awareness and inventiveness of artistic propositions. Furthermore, the research follows a practical-theoretical methodological path that evidences a type of knowledge that constitutes formative practices and interdisciplinary observations with reference to Olga Pombo.