DRAMATURGIA ENCRUZILHADA: UM ESTUDO SOBRE A RELAÇÃO CENA-CIDADE A PARTIR DA CRIAÇÃO DRAMATÚRGICA DO ESPETÁCULO RUÍNA DE ANJOS

Abstract

This dissertation presents a study on the correlation between scene and city based on a reflection over the process of dramaturgical creation of the piece Ruína de Anjos, by the theatre group from Bahia, Brazil, A Outra Theatre Company and the experience of its national circulation with the Palco Giratório project, from the SESC organization, in 2017. Considering the city as dramaturgy, the theatrical performance as a document and the forms of theatre that articulate the real as an experience, its construction is based especially on the dialogue with artistresearchers involved in performing practices that happen on the streets. From the concept of expanded dramaturgy, we propose the concept of Crossroads Dramaturgy, which manages segments, mediates elements of the scene and the city, engages in dialogues with spaces and times, articulating itself on the border of languages, mobilizing different forms of knowledge, emphasising conflicts and configuring itself as a document, although ephemeral and unfinished, culminated from a unique experience that involves artists and audiences.