DO SAMBA DURO AO PAGODE ELETRÔNICO: Uma análise das transformações no arranjo de base do pagodão entre 1997 e 2017

Abstract

This Final Conclusion Work is composed of: a Descriptive Memorial referring to my history as a musician, my relationship with pagodão and also my trajectory in the Professional Postgraduate Program in Music at UFBA (PPGPROM); a Scientific Article containing analyzes of the basic arrangements of two tracks from different aspects/periods of pagodão, an excerpt from my research; and a description of the Final Product of the research presented (A podcast series with six episodes). This work is justified by fulfilling the requirement to obtain the degree of Master in Music in the area of Musical Education, and aims to produce a series of podcasts, outlining a brief historical overview of pagodão, as well as analyzing the arrangements of based on songs from different periods/strands of the same period, with the album É O Tchan do Brasil, by the group É O Tchan, released in 1997, as its starting point, and the single Elas Gostom, released in 2017 by the band ATTOOXXA, as its final milestone. This work seeks to offer relevant information for students, music producers, musicians, researchers and even for the general public, lovers of pagodão in all its diversity and musical richness, detailing the characteristics of the basic arrangements of each aspect.