dc.relation.references | ALBARRAN, Alan. Media economics. In: DOWNING, John et al (eds.). SAGE handbook of media studies. Thousand Oaks, US: SAGE Publications, 2004. p. 291-308.
BARDEEN, William; SHAW, Claude. Tax-motivated German financing of the U.S. Film Industry. Chazen Web Journal of International Business, v. 3 n. 1, mar.-jun. 2004.
BASUROY, Suman; CHATTERJEE, Subimal; RAVID; S. Abraham. How critical are critical reviews? the box office effects of film critics, star power, and budgets. Journal of Marketing, v. 67, n. 4, p. 103-117, out. 2003.
B-FILM. In: ENCYCLOPÆDIA Britannica. Chicago, US: Encyclopædia Britannica, inc, 2015. Disponível em: https://www.britannica.com/art/B-film. Acesso em: 20 maio 2022.
CHANDLER JR, Alfred D. What is a firm? European Economic Review, v. 36, p. 483-994, 1992.
CHRISTOPHERSON, S. et al. New York's big picture: assessing New York's position in film, television and commercial production. New York, US, ago. 2006. (Report to
The New York Film, Television and Commercial Initiative from Cornell University).
CHRISTOPHERSON, Susan; RIGHTOR, Ned. The creative economy as “Big Business”: Evaluating state strategies to lure filmmakers. Journal of Planning Education and Research. v. 29, n. 3, p. 336-352, dez. 2009.
CONES, John W. Dictionary of film finance and distribution: a guide for independent filmmakers. New York, US: Algora Publishing, 2013.
CUCCO, Marco. The promise is great: the blockbuster and the Hollywood economy. Media, Culture & Society, v. 31, n. 2, p. 215-230, 2009.
DENIZ, Borga; HASBROUCK, Robert B. What determines box office success of a movie in the United States? Proceedings for the northeast region decision sciences institute. Huston, v. 6, n. 1, p. 447-457, mar. 2012. Disponível em: https://nedsi.decisionsciences.org/
wp-content/uploads/2021/03/NEDSI-2012-Proceedings.pdf. Acesso em: 10 maio 2021.
DENIZ, Borga; HASBROUCK, Robert B. When to greenlight: examining the pre-release factors that determine future box office success of a movie in the United States. International Journal of Economics and Management Sciences v. 2, n. 3, p. 35-42, 2012. Disponível em: https://www.hilarispublisher.com/open-access/when-to-greenlight-examining-the-prerelease-factors-that-determine-future-box-office-success-of-a-movie-in-the-united-states-2162-6359-2-127.pdf. Acesso em: 13 maio 2021.
DE VANY, Arthur S.; WALLS, W. David. Motion picture profit, the stable Paretian hypothesis, and the curse of the superstar. Journal of Economic Dynamics and Control, v. 28, n. 6, p. 1035-1057, 2004.
DE VANY, Arthur. Hollywood economics: how extreme uncertainty shapes the film industry. Abingdon, England: Routledge, 2004.
DE VANY, Arthur; WALLS, W. David. Uncertainty in the movie industry: does star power reduce the terror of the box office? Journal of Cultural Economics, v. 23, n. 4, p. 285-318, 1999.
ELLIOTT, Caroline et al. Behind film performance in China’s changing institutional context: The impact of signals. Asia Pacific Journal of Management, v. 35, n. 1, p. 63-95, 2018.
FALICOV, Tamara. Diversifying Public Film Funding Policies in Latin America. In: MURSCHETZ, Paul; TEICHMANN, Roland; KARMASIN, Matthias. (eds.) Handbook of State Aid for film finance, industries and regulation. Why study state aid for film? a necessary clarification. Springer, Cham, 2018. p. 367-382
GASHER, Mike. Global Television and film: an introduction to the economics of the business. Canadian Journal of Communication, v. 25, n. 2, 2000.
HENNIG-THURAU, Thorsten; Mark B. Houston; Gianfranco Walsh. Determinants of motion picture box office and profitability: an interrelationship approach. Review of Managerial Science v. 1, n. 1, p. 65-92, 2007.
HONG, Yu. Reading the twelfth five-year plan: China’s communication-driven mode of economic restructuring. International Journal of Communication, v. 5, p. 1045–1057, 2011.
KEANE, Michael. China’s new creative clusters: governance, human capital and regional investment. Abingdon, England: Routledge, 2011.
KNIGHT, Frank H. Risk, uncertainty and profit. North Chelmsford, U.S.A: Courier Corporation. 2012.
JENSEN, Michael C.; MECKLING William H. Theory of the firm: Managerial behavior, agency costs and ownership structure. Journal of Financial Economics, v. 3, n. 4, p. 305-360, out. 1976.
LITMAN, Barry. Predicting Success of theatrical movies: an empirical study. The Journal of Popular Culture, v. 16, n.4, p. 159-175, mar. 1983.
LORENZEN, Mark. On the globalization of the film industry. Creative encounters working papers, Copenhagen, DK, v. 8, n. 1, fev. 2008. Disponível em: https://research-api.cbs.
dk/ws/portalfiles/portal/58999460/Creative_Encounters_Working_Papers_8.pdf.vAcesso em: 11 maio 2021.
MEDIA INDUSTRY ACCOUNTING GROUP. Film financing arrangements. Making sense of a complex world. jun. 2016. v. 11.
MINGJIANG, Li. China debates soft power. Chinese Journal of International Policies, v. 2, n. 2 p. 287–308, out. 2008.
MOTION PICTURE ASSOCIATION OF AMERICA. Theatrical market statistics 2015. Disponível em: https://www.motionpictures.org/wp-content/uploads/2018/03/MPAA-Theatrical-Market-Statistics-2015_Final.pdf. Acesso em: 02 mar. 2016.
MORAWETZ, Norbert. The rise of co-productions in the film industry: the impact of policy change and financial dynamics on industrial organization in a high-risk environment. Tese (Doutorado em Economia) - Hertfordshire Business School, University of Hertfordshire, Hatfield, UK; 2008.
MORAWETZ, Norbert.; HARDY, J.; HASLAM, C.; RANDLE, K. Finance, policy and industrial dynamics — the rise of co‐productions in the film industry. Industry and Innovation, v. 14, n. 4, p. 421-443, set. 2007.
ORBACH, Barak Y; EINAV, Liran. Uniform prices for differentiated goods: The case of the movie-theater industry International Review of Law and Economics, v. 27, n. 2, p. 129-153, jun. 2007.
PENDAKUR, Manjunath. Canadian dreams and American control: the political economy of the Canadian film industry. Detroit, US: Wayne State University Press, 1990.
PHILLIPS, Richard. The global export of risk: finance and the film business. Competition & Change, v. 8, n. 2, p. 105–136, jun. 2004.
RAVID, S. Abraham. Information, blockbusters, and stars: a study of the film industry. The Journal of Business, v. 72, n. 4, p. 463-492, out. 1999.
RICHERI, Giuseppe. Global film market, regional problems. Global Media and China, v. 1, n. .4, p. 312-330, 2016
ROSTEIN, Abraham. The use and misuse of economics in cultural policy. In: LORIMER, Rowland; WILSON, Donald (eds.). Communication Canada: issues in broadcasting and new technologies. Toronto, CA: Kagan & Woo, 1988.
RUSCO, Frank; WALLS, David. Independent film finance, pre-sale agreements, and the distribution of film earnings. In: ECONOMICS OF ART AND CULTURE INVITED PAPERS AT THE INTERNATIONAL CONFERENCE OF THE ASSOCIATION OF CULTURAL ECONOMICS INTERNATIONAL, 12. 2002, Rotterdam. Contributions to Economic Analysis. Bingley, England: Emerald Group Publishing Limited, dez. 2003. p. 19-32.
SAWHNEY, Mohanbir S.; ELIASHBERG, Jehoshua. A Parsimonious model for forecasting gross box-office revenues of motion pictures. Marketing Science, v. 15, n. 2, p. 113-31, maio1996.
SCOTT, Allen J. Cultural-products industries and urban economic development: prospects for growth and market contestation in global context. Urban affairs review, v.39, n .4, p. 461-490, mar. 2004.
SILVER, Jonathan D. Hollywood's dominance of the movie industry: how did it arise and how has it been maintained? Tese (Doutorado em Marketing) - Faculty of Business Queensland University of Technology, Brisbane City, AU, 2007.
SIMONOFF, J. S.; SPARROW, I. R. Predicting movie grosses: winners and losers, blockbusters and sleepers. Chance, v. 13, n. 3, p. 15-24, jul. 2000.
SINHA, Sitabhra; PAN, Raj K. Blockbusters, bombs and sleepers: the income distribution of movies. In: CHATTERJEE, Arnab; YARLAGADDA, Sudhakar; CHAKRABARTI, Bikas K. (eds). Econophysics of wealth distributions. Milano: New Economic Windows. Springer, 2005. p. 43-47.
SMITH, Sharon P.; SMITH, V. Kerry. Successful movies: A preliminary empirical analysis. Applied Economics, v. 18, n. 5, p. 501-507, fev. 1986.
TAVARES, E. The dream catcher goes back to basics to re-define the weaves of co-production deal making! The Business of Film, Finance Cannes 2003, maio 2003.
TERRY, N.; BUTLER, M; DE’ARMOND, D. The determinants of domestic box office performance in the motion picture industry. Southwestern Economic Review, v. 32, n. 1, p. 137-148, set. 2005.
THE NUMBERS. Internet. Disponível em: https://www.the-numbers.com/. Acesso em: 02 set. 2017.
TOMS, Steven; WILSON, John F. Revisiting Chandler on the theory of the firm. Handbook on the Economics and Theory of the Firm. In: DIETRICH, Michael; KRAFFT, Jackie. Handbook on the Economics and Theory of the Firm. Cheltenham, UK: Edward Elgar Publishing, p. 297-308, ago. 2012.
TVERSKY, Amos; KAHNEMAN, Daniel. Judgment under uncertainty: heuristics and biases. Science, v. 185, n. 4157, p. 1124-1131, set. 1974.
VOGEL, Harold L. Entertainment industry economics: a guide for financial analysis. Cambridge, UK: Cambridge University Press, 2011.
WALLS, W. David. Modeling movie success when ‘nobody knows anything’: conditional stable-distribution analysis of film returns. Journal of Cultural Economics, v. 29, n. 3, p. 177-190, ago. 2005.
WEINSTEIN, Olivier. Firm, property and governance: from Berle and means to the agency theory, and beyond. Accounting, Economics, and Law, v. 2, n. 2, ago. 2012.
WILLIAMSON, Oliver E. Hierarchical control and optimum firm size. Journal of Political Economy, v. 75, n. 2, p. 123-138, 1967.
WILLIAMSON, Oliver E. The theory of the firm as governance structure: from choice to contract. Journal of Economic Perspectives, v. 16, n. 3, p. 171-195, jun.-set. 2002. | pt_BR |