Estruturas movediças: limites e aberturas para a realização cinematográfica coletiva em curso livre

Abstract

This dissertation proposes to present some of the main limits and openings for the contemporary realization of cinematic arts, created, produced and disseminated under very low budget conditions, seeking to answer which aesthetic, narrative and discursive results were built by the 15 films made at CLIC - Free Film Course, an extension project conceived and performed by artists and professors from the area of concentration in Cinema and Audiovisual of the Interdisciplinary Bachelor of Arts of the Institute of Humanities, Arts and Sciences, at the Faculty of Communication of the Federal University of Bahia between the years 2016 and 2018, in its five editions already completed. In this sense, we intend to understand the ways in which activities of this nature contribute to a displacement of the traditional structures of film making in a post-industrial perspective. For this we will use dialogues with poststructuralist foundations, cultural studies and contemporary theories of cinema, so that it allows an analytical and critical investigation of the strategies of creation, production and diffusion of short fiction films produced collectively in that period through CLIC, for the elaboration of a theoretical reference that can collaborate with processes of formation and accomplishment in cinema and audiovisual for the present and virtual generations of artists, producers, researchers and teachers.